“In his second feature, Michael Bachochin manages to capture the claustrophobic emptiness of Naomi’s life. It’s an accurate visualisation of the quiet chaos depression can cause, with everything in the home feeling alien to both Naomi and the audience. Well paced, especially in the first two thirds, he’s able to make us feel as trapped as Naomi and shows us just enough, but never too much, that leaves the audience questioning – is Naomi mad, is fiancé Lucas hiding something, and are we even in the real world?” - crpWrites